It pays to write short fiction

Yes, your 7,000 word story could be worth 7 figures!

It pays to write short fiction

Have you heard about the short story to film adaptation pipeline?

As someone who regularly writes short stories to “audition” ideas for a novel, and visualizes the film adaptation as I write, I feel way late to the conversation that the film industry is buying short stories to turn into films … for $1 million and up.

Yes, your 7,000 word story could be worth 7 figures!

Here are a few recent headlines:

Skydance Pays $2 Million+ For Sci-Fi Short Story ‘Drift:’

Sony Pictures Lands Jonathan Marty Sci-Fi Short Story ‘The Earthling’ Auction (mid-6 figures)

Joe Russo & Chris LaMont Developing Horror Thriller ‘When A Stranger Venmos’ Based On Viral Short Story By Holly Riordan

Amazon MGM Lands Harrison Query’s Short Story “Code Black” For Film (7 figures)

And before you think it’s only writers who are already famous who are selling these stories, here’s a quote from producer Scott Glassgold, explaining the shift to using a short story as proof of concept rather than a short film:

“These are very often writers who had the dream of breaking into the business, and geographically, they’re most likely not in the epicenter of publishing or film…when I met them, they’re literally sleeping on a relative’s couch. And by the end of the journey of a short story, between a film deal and a publishing deal, [to] be able to pick up the phone and tell them they’ve made over a million dollars, it’s really special.”

Of course, some short stories are more adaptable than others.

Producer Chris Goldberg (pen name Max Winter), a writer who’s sold his short stories as well as a book-to-film veteran, identifies key elements that make a story sell, including genre, and how attractive the roles are to acting talent.

Most deals I’ve seen are some combination of horror, thriller, or grounded sci-fi (think something that could happen here and now, not a far-off universe).

A great example is this sci-fi story that sold for a high six figures to Netflix. The plot centers around a mother with migraines who begins having hallucinations of monsters and “must protect her family against a threat only she can see.”

The visceral and relatable pain of migraines, of women not being believed about their pain or trusted for their perspective? Deeply real. Taking it a step further into a sci-fi world? Immediately captures an audience.